“An exciting, boundary-defying performer – Pine displays a power and confidence that puts her in the top echelon.”
– The Washington Post –
“Striking and charismatic…she demonstrated a bravura technique and soulful musicianship.”
– The New York Times –
In both art and life, violinist Rachel Barton Pine has an extraordinary ability to connect with people. Celebrated as a leading interpreter of great classic and contemporary works, her performances combine her innate gift for emotional communication and her scholarly fascination with historical research. She plays with passion and conviction, thrilling audiences worldwide with her dazzling technique, lustrous tone, and infectious joy in music-making.
Pine performs with the world’s leading orchestras including the Philadelphia Orchestra, the Royal Philharmonic Orchestra, Camerata Salzburg, and the Chicago, Vienna and Detroit Symphony Orchestras. She has worked with renowned conductors, including Teddy Abrams, Marin Alsop, Semyon Bychkov, Neeme Järvi, Erich Leinsdorf, Sir Neville Marriner, Nicholas McGegan, Zubin Mehta, Tito Muñoz, and John Nelson, and has collaborated with artists such as Daniel Barenboim, Christoph Eschenbach, and William Warfield.
Pine frequently performs music by contemporary composers, including major works written for her by Billy Childs, Mohammed Fairouz, Marcus Goddard, Earl Maneein, Shawn E. Okpebholo, Daniel Bernard Roumain, José Serebrier, and Augusta Read Thomas. She has premiered concertos written for her by Fairouz, Goddard, and Maneein. This season, she premieres “Violin Concerto No. 2,” written for her by Billy Childs through a co-commission by the Grant Park Music Festival, the Boulder Philharmonic Orchestra, the Anchorage Symphony Orchestra, and the Interlochen Orchestra.
Pine’s virtual appearances during quarantine included performing Mozart Concerto No. 1 with the Detroit Symphony Orchestra and Domingo Hindoyan. At a Grant Park Music Festival event, she and Billy Childs offered a preview of his violin concerto. She joined New Mexico Philharmonic music director Roberto Minczuk for a conversation and performance celebrating their two-decade-long collaboration history. She was presented in recital by Barrington’s White House, the Boulder Philharmonic Orchestra, Chamber Music Tulsa, Early Music Seattle, the Placitas Artists Series, and Portland Friends of Chamber Music, and she performed at a Washington Performing Arts tribute honoring Justice Ruth Bader Ginsburg. She appeared on Ottawa Chamberfest Chamber Chats and on Daniel Bernard Roumain’s Hopkins Center for the Arts at Dartmouth series “Who We Are w/DBR.” Her presentations on classical music by Black composers included the American String Teachers Association National Conference, the Chicago Symphony Orchestra’s Soundpost series, Cornell University, the New World Symphony, the 92nd Street Y, Northwestern University, Sphinx Performance Academy, and Temple University.
From July to December 2020, she presented the live, weekly series “Family Fridays with RBP.” From January to June 2021, Pine performed the entire solo violin part of 24 different violin concertos, live and unaccompanied, for her weekly series “24 in 24: Concertos from the Inside with RBP.” Also in 2021, she led “RBP on JSB: the Bach Masterclasses,” joining Sphinx Laureates and other rising-star violinists representing schools including The Curtis Institute of Music, The Juilliard School, New England Conservatory, Oberlin Conservatory, Rice University’s Shepherd School of Music, and Yale School of Music to work on Bach’s Six Sonatas and Partitas for Solo Violin. She also gave masterclasses for numerous organizations including the Chicago Youth Symphony, National Orchestral Institute, and Oberlin Conservatory of Music.
Pine’s prolific discography of 39 recordings includes Dvořák and Khachaturian Violin Concertos (Teddy Abrams and the Royal Scottish National Orchestra); Brahms & Joachim Violin Concertos (Carlos Kalmar and the Chicago Symphony Orchestra), and Elgar & Bruch Violin Concertos (Andrew Litton and the BBC Symphony Orchestra). Pine and Sir Neville Marriner’s Mozart: Complete Violin Concertos with the Academy of St Martin in the Fields and her Bel Canto Paganini both charted at number three on the classical charts. Pine’s Testament: Complete Sonatas and Partitas for Solo Violin by Johann Sebastian Bach and Violin Lullabies debuted at number one. Her Violin Concertos by Black Composers of the 18th and 19th Centuries was nominated for a 1997 NPR heritage award. Her recent Blues Dialogues is an album of blues-influenced classical works by 20th- and 21st-century Black composers.
Pine writes her own cadenzas and performs many of her own arrangements. With the publication of The Rachel Barton Pine Collection, she became the only living artist and first woman in Carl Fischer’s Masters Collection. She has appeared on The Today Show, CBS Sunday Morning, PBS NewsHour, Prairie Home Companion, NPR’s Tiny Desk, NPR’s All Things Considered, and Performance Today, and in the Wall Street Journal, Los Angeles Times, and the New York Times. She holds prizes from several of the world’s leading competitions, including a gold medal at the 1992 J.S. Bach International Violin Competition.
An active philanthropist, Pine has led the Rachel Barton Pine (RBP) Foundation since 2001. Early in her career, she noticed that young people learning classical music seldom have the opportunity to study and perform music written by Black composers. Over the last 20 years, Pine and her RBP Foundation’s Music by Black Composers (MBC) project have collected more than 900 works by 450+ Black composers from the 18th–21st centuries. MBC curates free repertoire directories on its website and publishes print resources, including pedagogical books of music exclusively by global Black classical composers and the Rachel Barton Pine Foundation Coloring Book of Black Composers. Additionally, the RBP Foundation assists young artists through its Instrument Loan Program and Grants for Education and Career. Pine also serves on the board of the Sphinx Organization and other not-for-profits.
She performs on the “ex-Bazzini, ex-Soldat” Joseph Guarnerius “del Gesù” (Cremona 1742), on lifetime loan from her anonymous patron. rachelbartonpine.com