About Rachel

INTERNATIONALLY ACCLAIMED CONCERT VIOLINIST, RECORDING ARTIST, EDUCATOR AND PHILANTHROPIST

AWARDS AND HONORS (SELECTED)

2010 – Winner, Great Performer of Illinois Award

2006 – Studs Terkel Humanities Service Award, Illinois Humanities Council

2006 – Inducted as Honorary Member, National Association of Negro Musicians

2002 – Nominee, Peabody Award (for radio performance featuring works of living composers)

1999 – Chicagoan of the Year, Chicago Tribune

1998 – Nominee, National Public Radio Heritage Award (for Violin Concertos by Black Composers of the 18th and 19th Centuries album)

1997 – Classical Hall of Fame, Fanfare magazine

1996 – Second Prize, Stulberg National String Competition

1995 – Chicagoan of the Year, Chicago Magazine

1993 – Paganini Caprice Prize, Paganini International Violin Competition, Genoa, Italy

1993 – Bronze Medal, Queen Elisabeth International Violin Competition, Brussels, Belgium

1992 – Gold Medal, J.S. Bach International Violin Competition, Leipzig, Germany (first American and youngest winner)

1992 – Second Prize, Fritz Kreisler International Violin Competition, Vienna

1992 – Second Prize and Paganini Caprice Prize, Joseph Szigeti International Violin Competition, Budapest

1990 – First Prize, Society of American Musicians Music Contest, Young Artist Division

1989 – First Prize, Seventeen Magazine and General Motors National Concerto Competition

1985 – First Prize, Chicago Symphony Orchestra/ Illinois Bell/ WTTW Illinois Young Performers Competition

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The violin on which Rachel plays is known as the “ex-Bazzini ex-Soldat.”  It was made in 1742 by Joseph Guarneri “del Gesu.” It is on lifetime loan to her by an anonymous patron.

Guarneri and Stradivari are considered to be the two greatest violin makers of all time. “Del Gesu” violins have been the preferred instruments of many famous violinists including Paganini, Ysaye, Kreisler, Heifetz, Stern, and Zukerman. Many of these violins have special histories, and this instrument is no exception.

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COMING SOON!

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In both art and life, violinist Rachel Barton Pine has an extraordinary ability to connect with people. Celebrated as a leading interpreter of great classic and contemporary works, her performances combine her innate gift for emotional communication and her scholarly fascination with historical research. She plays with passion and conviction, thrilling audiences worldwide with her dazzling technique, lustrous tone, and infectious joy in music-making. 

“An exciting, boundary-defying performer – Pine displays a power and confidence that puts her in the top echelon.”

– The Washington Post

“Striking and charismatic…she demonstrated a bravura technique and soulful musicianship”

– The New York Times

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Press Quotes

Pine is an extraordinary violinist. She played [the concerto] with astonishing ease, bringing a burnished tone and pristine articulation and intonation to the most furious passages. Pine played expressively, freely and, in all cases, appropriately. Pine's rhythmic and metric flex and dynamic and coloristic shadings contributed the emotional investment that late-Romantic music in general and this piece in particular demand.

Milwaukee Journal Sentinel

What Pine communicated was pure Bach, his pleasure in working out musical ideas, his architectural structures large and small and his reverence for both the struggle and the peace that music can offer. Her talks about each piece, consummate scholarship delivered with humor and modesty, was an additional ornament to her performance.

The Washington Post on Pine’s performance of the complete solo violin sonatas and partitas by J.S. Bach

Pine is a class-act with steady tone and an aptitude for dynamic variation. She achieves this without disturbing the even production of her silver thread which has a very agreeable viola-accented sepia overtone. Her con slancio death-defying double-stopping in III is done with every appearance of ease. It sounds terrifying yet is totally fluent and utterly and intricately secure like a divine music-box – not machine-like. Her tone is not platinum bleached but instead is fragrant with conifer resin.

Arkiv Music on Glazunov Violin Concerto and Meditation

…a wealth of engaging music superbly delivered. To all Pine brings the same virtuosity and delight in communication. Splendid sound, too, in a close but resonant recording [Capricho Latino].

Gramophone

This is reach-out-and-touch-it sound that is sure to please any music lover or audiophile. [Capricho Latino]

Classical Candor

No less than spectacular.

The Strad

prodigious talent with obvious personality and a clear-eyed vision. Her technical skills can make the jaw drop. She has a full, singing sweet tone and plays with a confidence and elan that make an audience's heart soar.

Chicago Sun-Times

One of the most impressive examples of violin playing I've ever witnessed.

Iceland Morgunbladed

Pine is superb in both concertos [Beethoven & Clement], combining a sensitive understanding of contemporary performance practice with flawless technique and glorious tone; she also wrote the excellent cadenzas.

The Whole Note

Tour

Rachel's Upcoming Performances

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Video

Tchaikovsky Violin Concerto 1st movement

Rachel Barton Pine performs the first movement of the Tchaikovsky Violin Concerto with Maestro David Handel and the Moscow City Symphony “Russian Philharmonic” in Moscow, March 2, 2011.

Ravel Violin Sonata 2nd and 3rd movements

Violinist Rachel Barton Pine and pianist Matthew Hagle perform the second and third movements of Maurice Ravel’s Violin Sonata for the Ladies’ Morning Musical Club Concerts in Montreal, February 27, 2011.

Mozart Violin Concerto No. 5, 2nd movement

Rachel Barton Pine performs the second movement of Mozart’s Violin Concerto No. 5 in A Major, KV219, with Maestro Ron Spigelman and the Springfield Symphony of Missouri, February 5, 2011.

Ravel Tzigane

Rachel Barton Pine performs Tzigane by Maurice Ravel with Maestro Ron Spigelman and the Springfield Symphony of Missouri, February 5, 2011.

Paganini Caprice No. 24

Violinist Rachel Barton Pine performs Paganini Caprice No. 24 for Music and Beyond in Ottawa on July 12, 2012

Sibelius Violin Concerto 3rd movement

Rachel Barton Pine performs the third movement of the Violin Concerto by Jean Sibelius with Maestro Robert Franz and the Boise Philharmonic on September 29, 2012.

Capricho Latino

Albéniz, arr. Pine: Asturias (Leyenda)

News

MBC Violin Volume I, published by LudwigMasters

$25.95 Beginner to elementary level music for violin with 2nd violin or piano accompaniment. These works are by both men and women who come from North America, South America, the Caribbean, Europe, and Africa. The repertoire spans four centuries — from the 1700s to the present. In addition to the music, this book also contains … Read More »

May 19

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19 Oct

Today is the day! https://t.co/ndHXZgiFP8

12 Oct

Visiting the @MIMphx is always very fun and inspiring! https://t.co/0tNhH8yJ7N

14 Sep

RT @spiveyhall: Listen today! Trio Settecento: @RBPviolinist @jmrozendaal and David Schrader, harpsichord performing Francois Couperin: Si…

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Programs & Projects

New violin concerto from Mohammed Fairouz

Arab-American composer Mohammed Fairouz previously wrote a violin sonata inspired by the Arab Spring for Rachel Barton Pine and has now written a large-scale violin concerto for her. The work premiered with the Alabama Symphony under the direction of Fawzi Haimor and is generally available in the 2015/16 and 2016/17 seasons. 

Recital tour with Simone Dinnerstein

Rachel Barton Pine joins pianist Simone Dinnerstein in recital during the 2015/16 and 2016/17 season.  The duo will perform a program built around Beethoven’s “Kreutzer” sonata, along with repertoire by Bach, Bartok, and Philip Lasser. 

Complete Bach Sonatas and Partitas

Hailed as the zenith of solo violin repertoire, Bach’s Sonatas and Partitas are divided between back-to-back programs that are performed and interspersed with works by composers who lived just before Bach and influenced his compositions.

Podcast

PODCAST: Violin Adventures with Rachel Barton Pine

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